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He said that his protégé, Memphis Bleek, was a big fan of Nas. According to Nas, who recounted the conversation in the fall 2001 issue of Felon magazine (on the cover: “PEE WEE KIRKLAND SPEAKS OUT ON: GROUND ZERO”), Jay started by throwing his own people under the bus. There were no names yet, but the lines got more pointed.Īnyway-the conversation at the Stoute party. Then things grew more personal, each rapper claiming he’d paved the way for the other’s style, career, persona Jay began teasing a relationship he’d had with the mother of Nas’ daughter. At first it sounded like bickering over the throne left vacant after the death of The Notorious B.I.G. But around the turn of the century, little barbs started jutting out of songs and freestyles. On its first song, “The Message,” he sneers at rappers driving around New York in Lexuses with TV sets in the headrest the line came to him when he saw Jay behind the wheel of one.įor several years, the feud-if you could even call it that-stayed at a simmer. His voice still made the album, though, sampled in the hook of “Dead Presidents II.” Nas’ second album, It Was Written, came out a week after Reasonable Doubt. Nas was supposed to appear on Reasonable Doubt’s “Bring It On,” but, according to Dash, kept flaking on scheduled recording sessions. Two years later, Jay released his own debut, Reasonable Doubt, on a label he co-founded with Biggs Burke and Dame Dash. With his astonishing 1994 debut, Illmatic, Nas was anointed the savior of a certain strain of formalist, autobiographical rap.